Indian artist Abhishek Khedekar's experimental docu-fiction follows a 100-person nomadic troupe of Dalit 'families' performing Tamasha: a travelling form of performance combining dance, music, and visual art dating back to the 1800s. As post-independence India moved away from rural dance and song forms, Tamasha became stigmatised, polarised and relegated in Indian society. Criss-crossing the state of Maharashtra, Khedekar's images dive into the complexity of this sociocultural fabric with a dizzying array of artistic techniques by utilising archival material, collage, documentary photography, performance, sound and video.
Indian artist Abhishek Khedekar's experimental docu-fiction follows a 100-person nomadic troupe of Dalit 'families' performing Tamasha: a travelling form of performance combining dance, music, and visual art dating back to the 1800s. As post-independence India moved away from rural dance and song forms, Tamasha became stigmatised, polarised and relegated in Indian society. Criss-crossing the state of Maharashtra, Khedekar's images dive into the complexity of this sociocultural fabric with a dizzying array of artistic techniques by utilising archival material, collage, documentary photography, performance, sound and video.
Organiser
Forbundet Frie Fotografer
Møllergata 34, N-0179, Oslo
Contact
Project manager:
Bjørn-Henrik Lybeck
bjornhenrik@fffotografer.no
Venue
Gamle Munch
Address: Tøyengata 53, 0563 Oslo
Organiser
Forbundet Frie Fotografer
Møllergata 34, N-0179, Oslo
Venue
Gamle Munch
Address: Tøyengata 53, 0563 Oslo
Contact
Project manager:
Bjørn-Henrik Lybeck
bjornhenrik@fffotografer.no